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EDUCATIONAL STUFFS

An Ocean of Information

February 12, 2023February 12, 2025

DSSSB- Assistant Teacher (PRT)

DSSSB PRT (Primary Teacher)

The DSSSB (Delhi Subordinate Services Selection Board) conducts examinations for the recruitment of Assistant Teachers (Primary) in various government schools under the GNCT of Delhi. To aid candidates in their preparation, Educational Stuffs offers a comprehensive mock test designed to simulate the actual exam environment for DSSSB Recruitment 2023 Assistant Teacher.

 

PRIMARY TEACHER

General English

A sentence has been given with a blank to be filled with an appropriate word. Choose the correct alternative

The room in hotel was so ______ that I have to shift to another hotel.

In the following question, out of the given four alternatives, select the alternative which best expresses the meaning of the Idiom/Phrase.

Lion hearted

Choose the word that is opposite in meaning to the given word.

Begrime

In the following question, out of the given four alternatives, select the alternative which best expresses the meaning of the Idiom/Phrase.

To have hollow legs

Select the most appropriate option to substitute the ITALIC segment in the given sentence. If no substitution is required, select ‘No improvement’ as your answer.

I have not been given the documents by Ramesh.

Choose the word that means the same as the given word.

Censure

Rearrange the parts of the sentence in correct order.

P: A page can have multiple lines.
Q: A page is better measure of length of a book.
R: This is with respect to a line.
S: It is important to differentiate a line from a page.

A sentence has been given with a blank to be filled with an appropriate word. Choose the correct alternative.

The jury ______ deciding how they want to judge.

In the given question, four words are given out of which one word is correctly spelt. Choose the correctly spelt word.
Find the part of the given sentence that has an error in it. If there is no error, choose ‘No error’.

It will be ludicrous not (1)/to acknowledge the real threats (2)/the  World is facing right now (3)/.No error (4)

Select the most appropriate option to substitute the ITALIC segment in the given sentence. If no substitution is required, select ‘No improvement’ as your answer.

He called to help if nobody came.

Choose the word that can substitute the given sentence.

Chemistry in ancient times

Rearrange the parts of the sentence in correct order.

Here the rocks
P: So smooth that in places they
Q: Resemble rolls of silk
R: By Ice and water
S: Are carved and polished

Find the part of the given sentence that has an error in it. If there is no error, choose ‘No error’.

She said that (1)/ she had never (2)/tried that chocolate (3)/. No error (4)

In the given question, four words are given out of which one word is correctly spelt. Choose the correctly spelt word.
Who invited Herman to become a research fellow?

Comprehension: Read the following information carefully and answer the given questions. The glass artist Sam Herman, who has died aged 84, was an important contributor to the British craft renaissance of the 1960s and 70s. Studio ceramics (ceramics designed and made by the same person) had been established as a new art form in Britain since the 20s but it was not until the mid-60s that Herman brought the technology to work with hot glass in studio to the UK from the US, enabling individual creative engagement with this dangerous but alluring medium. His mature work was characterised by powerful flowing forms with occasional figurative references and by vibrant colour and iridescent effects. Herman appeared to work in an unpremeditated fashion, following his instincts, responding above all to the ductility of the medium. At the University of Wisconsin at Madison (1962-65) Herman had majored in sculpture under Leo Steppat and, more importantly, had taken glass courses with Harvey Littleton, a potter whose father had been head of research at the great Corning glass works, in upstate New York. But Littleton himself had seen small family-run workshops in Murano, Italy, and was attracted by the neoprimitive inter-war glass made by the French painter Maurice Marinot. With the technical help of Dominick Labino he set about creating a small tank furnace that made it possible for hot glass to be worked outside the factory environment. Herman arrived from Wisconsin on a Fulbright scholarship in 1965 to study cold glass techniques at Edinburgh College of Art, becoming an ambassador for hot glass made in studio. He organised a show of work by his fellow students and tutors from Wisconsin that toured from Edinburgh to Stourbridge College of Art, in the West Midlands, and to the Royal College of Art in London. There it was seen by the head of the ceramics and glass department at the college, David Queensberry, who immediately recognised the potential of direct engagement with hot glass and invited Herman to become a research fellow. In 1966 Herman built a small tank furnace at the college and in 1967 became tutor in charge of a reconfigured glass department. The first degree show at the RCA that included student-made hot glass – by Pauline Solven, John Cook and Asa Brandt – took place in 1968.

According to the passage, all statements are correct EXCEPT:

Comprehension: Read the following information carefully and answer the given questions. The glass artist Sam Herman, who has died aged 84, was an important contributor to the British craft renaissance of the 1960s and 70s. Studio ceramics (ceramics designed and made by the same person) had been established as a new art form in Britain since the 20s but it was not until the mid-60s that Herman brought the technology to work with hot glass in studio to the UK from the US, enabling individual creative engagement with this dangerous but alluring medium. His mature work was characterised by powerful flowing forms with occasional figurative references and by vibrant colour and iridescent effects. Herman appeared to work in an unpremeditated fashion, following his instincts, responding above all to the ductility of the medium. At the University of Wisconsin at Madison (1962-65) Herman had majored in sculpture under Leo Steppat and, more importantly, had taken glass courses with Harvey Littleton, a potter whose father had been head of research at the great Corning glass works, in upstate New York. But Littleton himself had seen small family-run workshops in Murano, Italy, and was attracted by the neoprimitive inter-war glass made by the French painter Maurice Marinot. With the technical help of Dominick Labino he set about creating a small tank furnace that made it possible for hot glass to be worked outside the factory environment. Herman arrived from Wisconsin on a Fulbright scholarship in 1965 to study cold glass techniques at Edinburgh College of Art, becoming an ambassador for hot glass made in studio. He organised a show of work by his fellow students and tutors from Wisconsin that toured from Edinburgh to Stourbridge College of Art, in the West Midlands, and to the Royal College of Art in London. There it was seen by the head of the ceramics and glass department at the college, David Queensberry, who immediately recognised the potential of direct engagement with hot glass and invited Herman to become a research fellow. In 1966 Herman built a small tank furnace at the college and in 1967 became tutor in charge of a reconfigured glass department. The first degree show at the RCA that included student-made hot glass – by Pauline Solven, John Cook and Asa Brandt – took place in 1968.

As per the given information, which of the following pairs is incorrect?

Comprehension: Read the following information carefully and answer the given questions. The glass artist Sam Herman, who has died aged 84, was an important contributor to the British craft renaissance of the 1960s and 70s. Studio ceramics (ceramics designed and made by the same person) had been established as a new art form in Britain since the 20s but it was not until the mid-60s that Herman brought the technology to work with hot glass in studio to the UK from the US, enabling individual creative engagement with this dangerous but alluring medium. His mature work was characterised by powerful flowing forms with occasional figurative references and by vibrant colour and iridescent effects. Herman appeared to work in an unpremeditated fashion, following his instincts, responding above all to the ductility of the medium. At the University of Wisconsin at Madison (1962-65) Herman had majored in sculpture under Leo Steppat and, more importantly, had taken glass courses with Harvey Littleton, a potter whose father had been head of research at the great Corning glass works, in upstate New York. But Littleton himself had seen small family-run workshops in Murano, Italy, and was attracted by the neoprimitive inter-war glass made by the French painter Maurice Marinot. With the technical help of Dominick Labino he set about creating a small tank furnace that made it possible for hot glass to be worked outside the factory environment. Herman arrived from Wisconsin on a Fulbright scholarship in 1965 to study cold glass techniques at Edinburgh College of Art, becoming an ambassador for hot glass made in studio. He organised a show of work by his fellow students and tutors from Wisconsin that toured from Edinburgh to Stourbridge College of Art, in the West Midlands, and to the Royal College of Art in London. There it was seen by the head of the ceramics and glass department at the college, David Queensberry, who immediately recognised the potential of direct engagement with hot glass and invited Herman to become a research fellow. In 1966 Herman built a small tank furnace at the college and in 1967 became tutor in charge of a reconfigured glass department. The first degree show at the RCA that included student-made hot glass – by Pauline Solven, John Cook and Asa Brandt – took place in 1968.

Which word can replace the word ‘alluring’ meaningfully in the passage?

Comprehension: Read the following information carefully and answer the given questions. The glass artist Sam Herman, who has died aged 84, was an important contributor to the British craft renaissance of the 1960s and 70s. Studio ceramics (ceramics designed and made by the same person) had been established as a new art form in Britain since the 20s but it was not until the mid-60s that Herman brought the technology to work with hot glass in studio to the UK from the US, enabling individual creative engagement with this dangerous but alluring medium. His mature work was characterised by powerful flowing forms with occasional figurative references and by vibrant colour and iridescent effects. Herman appeared to work in an unpremeditated fashion, following his instincts, responding above all to the ductility of the medium. At the University of Wisconsin at Madison (1962-65) Herman had majored in sculpture under Leo Steppat and, more importantly, had taken glass courses with Harvey Littleton, a potter whose father had been head of research at the great Corning glass works, in upstate New York. But Littleton himself had seen small family-run workshops in Murano, Italy, and was attracted by the neoprimitive inter-war glass made by the French painter Maurice Marinot. With the technical help of Dominick Labino he set about creating a small tank furnace that made it possible for hot glass to be worked outside the factory environment. Herman arrived from Wisconsin on a Fulbright scholarship in 1965 to study cold glass techniques at Edinburgh College of Art, becoming an ambassador for hot glass made in studio. He organised a show of work by his fellow students and tutors from Wisconsin that toured from Edinburgh to Stourbridge College of Art, in the West Midlands, and to the Royal College of Art in London. There it was seen by the head of the ceramics and glass department at the college, David Queensberry, who immediately recognised the potential of direct engagement with hot glass and invited Herman to become a research fellow. In 1966 Herman built a small tank furnace at the college and in 1967 became tutor in charge of a reconfigured glass department. The first degree show at the RCA that included student-made hot glass – by Pauline Solven, John Cook and Asa Brandt – took place in 1968.

Identify the correct statement about Sam Herman from the following.

Comprehension: Read the following information carefully and answer the given questions. The glass artist Sam Herman, who has died aged 84, was an important contributor to the British craft renaissance of the 1960s and 70s. Studio ceramics (ceramics designed and made by the same person) had been established as a new art form in Britain since the 20s but it was not until the mid-60s that Herman brought the technology to work with hot glass in studio to the UK from the US, enabling individual creative engagement with this dangerous but alluring medium. His mature work was characterised by powerful flowing forms with occasional figurative references and by vibrant colour and iridescent effects. Herman appeared to work in an unpremeditated fashion, following his instincts, responding above all to the ductility of the medium. At the University of Wisconsin at Madison (1962-65) Herman had majored in sculpture under Leo Steppat and, more importantly, had taken glass courses with Harvey Littleton, a potter whose father had been head of research at the great Corning glass works, in upstate New York. But Littleton himself had seen small family-run workshops in Murano, Italy, and was attracted by the neoprimitive inter-war glass made by the French painter Maurice Marinot. With the technical help of Dominick Labino he set about creating a small tank furnace that made it possible for hot glass to be worked outside the factory environment. Herman arrived from Wisconsin on a Fulbright scholarship in 1965 to study cold glass techniques at Edinburgh College of Art, becoming an ambassador for hot glass made in studio. He organised a show of work by his fellow students and tutors from Wisconsin that toured from Edinburgh to Stourbridge College of Art, in the West Midlands, and to the Royal College of Art in London. There it was seen by the head of the ceramics and glass department at the college, David Queensberry, who immediately recognised the potential of direct engagement with hot glass and invited Herman to become a research fellow. In 1966 Herman built a small tank furnace at the college and in 1967 became tutor in charge of a reconfigured glass department. The first degree show at the RCA that included student-made hot glass – by Pauline Solven, John Cook and Asa Brandt – took place in 1968.

 

 

For more DSSSB PRT Mock Tests – CLICK HERE

 

 

 

DSSSB Recruitment 2023 Assistant Teacher

 

DSSSB Recruitment 2023 Assistant Teacher

The Delhi Subordinate Services Selection Board (DSSSB) conducts recruitment for the position of Assistant Teacher (Primary), commonly referred to as PRT (Primary Teacher). This role involves teaching students from Class 1 to Class 5 in various government schools under the Government of the National Capital Territory of Delhi (GNCT of Delhi).

Features of the Mock Test:

  • Subject Coverage: The mock test encompasses a wide range of topics pertinent to the DSSSB syllabus, including:

    • Child Development and Pedagogy
    • General Awareness
    • General Intelligence & Reasoning Ability
    • Arithmetical & Numerical Ability
    • Hindi Language & Comprehension
    • English Language & Comprehension
  • Question Format: The test comprises multiple-choice questions (MCQs) that mirror the format of the actual DSSSB PRT examination.

For detailed information, including the latest notifications, application procedures, and study materials, candidates are advised to visit the official DSSSB website.

By meeting the eligibility criteria and preparing effectively, aspiring teachers can secure a position as an Assistant Teacher (Primary) under the DSSSB, contributing to the foundational education of young learners in Delhi.

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